Symbolism of 9/11: The Hand of the Architect and the Pentagon

The first parts of this article will look at explaining what happened at 9/11 in terms of Architecture and then focus on some Masonic symbolism which to my knowledge appears to have been overlooked and not covered by anyone else. Some of this article references videos made by the America Institute of Architects (AIA): Truth for 9/11. It is in no way intended to plagiarise nor imitate AIA’s sterling work, only for the purpose to exemplify some of AIA findings for the intent of comparison and reference architectural science and theory.

Subjects contained within this article include:

  • The investigation for 9/11 truth by the AIA (American Institute of Architects)

  • 9/11 and its position as a Conspiracy theory

  • 9/11: The Inverse Kinematics of Architecture

  • Zero Resistance

  • Inverse Kinematics In the Demolition of 9/11 Explained.

  • What should have happened to WTC7

  • Symbolism of 9/11: The Hand of the Architect and the Pentagon

  • The Draftsmans Pencil

  • 9/11 Symbolised The New Era of Artificial Intelligence

  • Microchipping: The Digital Square and Compass

  • How does 9/11 relate to current events?

AIA: Architect and Engineers of America vs the 9/11 Conspiracy

In 2011, the well established firm Architects and Engineers of America “AIA” came to the forefront of the media proclaiming that all three World Trade Centre buildings were brought down in a highly co-ordinated controlled demolition during the events of Sept 11th 2001.

I’m sure that myself like many others who have long supported this theory, will feel a sense of duty is being for filed in the quest for truth now that real scientific data is being brought forward. Supporting a view that the events of 9/11 were different to the government version of things runs the risk of ruining ones reputation and the risk of being placed on a terror watchlist.

I have been fortunate to see the Twin Towers with my own eyes, just over a year before the attack happened and they were a magnificent sight. As a fondness of memory, the shear scale of these building was so enormous that even from a few blocks away, I had to have my head tilled right back, just in order to see the summits.

I am a person since the day it happened did not believe that 9/11 was a terrorist attack in the way we were led to believe but was an inside job that was used as an impetus for a war on the middle east.

I do not believe that holding these views is the reason I became targeted. I know that I was targeted already. It was perhaps was I was identified as having the potential and ability to question and rationalise situations such as 9/11 from early on.

As far as citizens are concerned, even if you were not targeted beforehand, just even researching the event increases a persons chances of being placed on a watchlist. The point of MK Ultra was finding a way of de-educating the populace, just for the purpose of events such as 9/11 and also identifying those with intelligence. Fortunately, due to the need for skilled workers, not every person can be dumbed down nor can they be cloaked from the truth for too long.

Where the events of 9/11 are concerned, to understand that a demolition team would have been needed to bring down the towers would only require some kind of knowledge or background in art and design. Therefore, if one has “creative potential” which is the case in art and design, these individuals will likely be increased in potential threat the more experience they develop especially if their career paths move into the fields of sciences. Therefore, capping knowledge within the education systems has been a progressive task.

Art and design is a very difficult business to make money and therefore it is a subject in the schooling system, that over the years has not really been treated with much seriousness, yet there is a lot of money to be made if you have the talent. A degree course in Architecture for example can take over 5 years to complete. As far as money is concerned, this is a very expensive branch of academia. Therefore, many talented individuals develop their own skills, in their own way.

Therefore, people with these sorts of traits tend to have the ability to rationalise, question and see things for what they are. Therefore, those who work in the fields science and architecture will be at the highest risk of targeting where 9/11 is concerned.

9/11 as a Conspiracy Theory

The 9/11 event is perhaps one of the most devastating events ever witnessed by the world. Because so many questions have gone unanswered for so long, the whole situation has been open to much speculation from many areas of opinion, science and what seems to be a surge in what we can class as the anti-conspiracy theory.

The most recent example of this is the Flat Earth theory. The Flat Earth Theory is actually one of many false flag operations introduced onto the internet with the intension to disrupt public belief systems (science/religion) using highly trained operatives, most of whom are highly trained public speakers and negotiators, posing as regular people. False flag operatives also feature on other conspiracy subjects, especially the more recent Gangstalking/Organised Harassment conspiracy videos.

The flood of False Flag conspiracy videos is due to the fact many people have cameras and audio on their phones today, so special operations have to work differently to the way they used to in order to deal with any potential incriminating evidence being captured by civilians. If anything, 9/11 is one reason why these operations. Considering mobile cameras with video/audio capabilities did not exist in 2001, many people were able to film very important bits of evidence with camcorders and have over-time been uploaded to internet video channels.

False flag information intends to mix with the less informed individuals in order to create and solidify the conspiracy theorist into the minds of the nation as some sort of mental illness. Therefore disinformation will spread to those whom have a more open minded attitude who will inadvertently help to compound the false idea.

There are many individuals I have observed in False Flag videos whom challenge those who hold the real world beliefs of mathematics and physics. The challengers are by nature very clever “speakers” who can put across very convincing arguments. They have a tendency to latch onto aspects of a subject which they know can be difficult to challenge and make it their main focus. This is normally portrayed with a mocking, arrogant demeanour which is clearly well practised.

Some of these aspects are quite commonly seen in Organised Harassment and it is part of a training program where members are taught how to be persuasive and control conversations. In fact, the tactics are also quite commonly seen in professional negotiators used by armed forces, police services and even emergency services. But these tactics are used almost exclusively used by public speakers such as politicians. In some secondary schools and universities, students may be invited to attend debating societies where many of the skills of public speaking can be learned.

Therefore, the people whom feature in these government sponsored propaganda videos are known as “Poker Face” artists, or Poker Face conspiracy theorists. They are required research well in advance before making a video or several which are intended to challenge other peoples videos.

9/11 has been the feature of many False Flag video campaigns which have branched out in attempt to sabotage the obvious by encouraging the absurd. Those whom are part of the “Truther Movements” are targeted often in order to promote false information, not because they intent to but simply because they question, they will run the risk of talking about these theorys to others whom will likely ridicule them, therefore increasing a stigma.

For example, one 9/11 video debates that the airplanes used to attack the World Trade Centre were not real but were holographic projections, yet the rest of the theory maintains that the buildings were then brought down by controlled demolition. It is these kinds of theories that do the most damage because wither the video was made by an individual or made as a false flag, they both encourage a negative idea against those whom can see the reality of what is happening.

This video of AIA Truth for 9/11 is a good example.


A history student seen on the left with glasses, attempts to use his academia to discredit everything Richard Gage is saying. This individual has many traits of a False Flag “Poker Face”. Unfortunately, these tactics don’t tend to work when those challenged have a scientific background. So, even in the face of the trolls, AIA seems to be in a strong position already to take on the challenge.

If 9/11 does go to independent investigation and proved to be a controlled demolition, the entire situation will be turned on its head. This will begin to ask more questions such as:

  • Who was responsible?

  • How were the buildings rigged to detonate so intricately without anyone noticing any explosives prior to the event?

  • The legitimacy of the aircraft used to crash into the buildings and wither they were actually taken over by terrorists at all.

  • Was there a demolition team stationed to oversee the event and where were they located?

  • Why the Twin Towers was considered to be expendable along with human lives of American Citizens.

These aspects are areas which reside in the more darker areas of the attacks, ones which are covered in various videos across you tube. It is an area I’m sure the AIA are very aware of and likely to risk some serious pressure as they pursue an avenue for an independent investigation.

Inverse Kinematics (of) Architecture: The Architect Code of 9/11

AIA’s involvement in 9/11 is now a very interesting because even though there are many conspiracy videos on the internet which blame 9/11 on the acts of secret societies, there is actually one very strong, irrefutable link between 9/11 and that of the Secret Society of Freemasonry. Architecture.

Freemasonry is of course a Secret Society whose foundations come from that of builders, craftsman and of draftsmen/architects. It has led me to believe that 9/11 was a very well constructed event, planned years in advance which was intended to symbolise the Grand Architect of the Universe and the birth of Artificial Intelligence.

Just recently, a technology company called Three Square Market which is based in Winsconsin announced that it has began a program where staff can volunteer to be microchipped with new tracking technology. Microchipping is something that has been around for few years. It is also something that has been reported to have been experimented with illegally by major tech companys on un-consenting civilians.

Some have heralded this technology as the “Mark of the Beast” emanating from the Bibles Book of revelations. Whilst I do not hold Christian belief, I do believe that the Bible is a form of codex or plan.

In 9/11, there is one event where the “microchip” is referenced very cleverly. This symbolism is found in the event at the Pentagon which is not part of the AIA investigation. This is covered later in the article.

Inverse Kinematics.


A workshop video featuring aspects of Kinematics

Amongst the wealth of information that can be found on the internet articles and videos about 9/11, the “coincidence” patterns were in fact, one of the first “conspiracies” to emerge not long after the attacks. Although there were rumours that 9/11 was an inside job, there were not any real video sites available in 2001 to demonstrate why this was. Until around the time you tube was launched on the 14 February 2005, these theories were confined to independent internet pages.

There have been many interpretation of the 9/11 events, right down to the significance to the numbers of the dates, planes involved and so on. All these suggest that the events of that day were planned well in advance.

This article is about how the links I have found to the date of the event suggest that 9/11 was a mass ritual event that is likely to be of Masonic origin, where architecture is their primal forte. In terms of symbolism I am currently preparing a secondary article which looks at other aspect to the events which involve Occult symbolism which in turn converge with principles found within sacred geometric architecture.

I stumbled across Inverse Kinematics by chance. This was through looking at the date of 9/11/01 and transposing it to letters. 9/11/01 transfers to I.K.A in the English alphabet and it just so happens that I.K brought up Inverse Kinematics in a google search.

What I debate I.K.A stands for is Inverse Kinematics (of) Architecture. This is fundamentally speaking, the computer architectural mathematics that was used by the demolition teams to pull the buildings down in a timed co-ordination, including the plane crashes.

Kinematics is branch of architecture which is broken into two sets. Forward and Inverse.

Inverse Kinematics deals with the mechanics of free falling projectiles under the influence of gravity. However, Forward Kinematics applies more to resistance forces needed to compensate for the pull of gravity. Simply put, it is the mechanics involved of lifting and dropping whilst maintaining integrity of a structure. For example, Kinematics are used when designing robotic arms in manufacturing industries, ones which have to deal with lifting and lowering objects that hold a large mass and require delicate handling. Therefore, Inverse Kinematics is used in controlled demolitions in order to plot the lowering of a building to the ground using timed removal of each supporting joint. The removal of these joints has to be almost instantaneous in order for the building to fall correctly. Any failure to do so means that the building could topple over causing immense destruction to anything surrounding it. The only way to remove these joints fast enough is to destroy them completely with explosives. It is not only the quickest way to level a building but also the safest providing the blast zone has been completely evacuated.

Zero resistance

Zero Resistance is a term drawn from Newtonian physics. In Kinematics, Zero resistance can be represented as an equation to account for the natural pull of gravity that acts on all objects with mass. In 1687, Newton published a book called the Philosophiae Naturalis Principia Mathematica in which he presented his theory of universal gravitation and three laws of motion. In architecture, these laws apply just as much then as they do today.

Watch any AIA you tube video and it is stated that both towers, including WT7 came down in a free fall manor with zero resistance.

Zero resistance happens when an object falls at the pace of which gravity is pulling it, without obstacle. In theory if we were to drop a feather and an apple from the same height, both objects should touch the floor at the same time.

However, nature does provide natural resistance in the form of the air particles around us, energy which is found of the form of Gasses, such as Oxygen. This means a feather and an apple dropped from the same height will not land at the same time. This is due to the resistant mass of air being spread out in the atmosphere. Therefore a feathers light resist mass has to compete with air particles as gravity draws it towards the ground.

Where heavy objects are concerned, the resistance of air is almost non-existent.

This famous feather and apple experiment was conducted on the last moon walk of Apollo 15 by Commander David Scott in 1971 to show that in a vacuum, zero resistance will allow all objects of any mass to drop to the ground at the same speed and time relative to the pull of gravity. Instead of an apple, a hammer was used in order to show that heavier objects will fall at the same rate as lighter objects.

It proved the laws of Newtonian gravity worked. The fact we were able to go to the moon and conduct this experiment is beautifully poetic.

Supporting weight is the key here. When Architects design buildings, one of their jobs is to consider resistance in order to keep the building upright and standing. One critical aspect is that of withstanding weather conditions. In terms of structure resistance, skyscrapers need to be able to resist the most extreme bad weather conditions such as gale force winds. Gale force winds exert huge amounts of force, forces which are far more in strength than that of one plane crash. Take into account, these buildings have to resist these conditions 24/7, year after year and they never fall.

Therefore, a building such as The Twin Towers had to act like a muscle, stretching, twisting to adapt to ever changing conditions.

This is exactly what Architects and engineers do when they build resistant to specification buildings, ones that can withstand plane crashes, earthquakes and other potential disasters such as spreading office fires. The Twin Towers were built to resist a plane impact to specification but no building will ever fall down in its entirety with zero resistance unless under controlled demolition.

Inverse Kinematics In the Demolition of 9/11 explained.

Although Newtonian physics is mentioned in the AIA Truth for 9/11 documentary, Inverse Kinematics isn’t referenced directly but is explained in the parts about controlled demolitions. In order for all of the buildings that fell on 9/11 to come down in the pancake effect that can be observed in the TV footage, Inverse Kinematics would be needed to calculate and balance the fall of tons and tons of free fall material in an ordered way.

This specifically involves the severing the joints using explosives, timed so any resistant mass would be taken out of the equation. If timing was not correct, parts of the building could be left standing leaving a dangerous clean up operation in its wake. What we should also take into consideration is if something that is free falling hits another object in a specific direction then that objects energy will impact the other. That would also have to be managed in order to minimize surrounding damage.

This whole scenario can be compared to a retracting muscle, pulling something down. Every action interacting with the other in tandem. The energy or force used to do that is merely the power of gravity acting on the building as the supporting joints are destroyed in synchronization. In terms of equivalent energy needed to free the entire structure to hand its resistance over to gravity, the explosives required would have to be powerful enough to melt the resistive properties of the metal construct used in the skeleton of the building. This is why the AIA team were looking for evidence of explosive materials after the disaster in which they discovered Thermite. Thermite is a very powerful, high temperature burning explosive. Compared to the explosive nature of the initial plane crash, small explosions against the scale of the building would have been extremely difficult to notice but are observable in video evidence.

AIA’s first focus in their investigation is the WTC7 building. WTC 7 was not hit by a plane so this makes for a case study to compare it to that of a building demolition. In short, the fires in WTC 7 were confined to one level and were not hot enough to collapse an entire building in the way that they did. With computer simulation aligned against the original footage and the measured fall time approximated to 7 seconds. This has been observed to be the fall rate constituent with zero resistance.

The Twin Towers however were both hit in positions where any collapse would have occurred from the point of air plane collision. This means that any structure failure above the plane crash would be meet by the physical resistance of the building underneath. It is why many have wondered why the top part of the building didn’t slide, fall off the top or stop falling once the upper half had wasted its downward potential energy. This means the collapse would have stopped somewhere just under the area of the plane crash. In comparison, both the North and South towers took around 12 seconds to fall from top to bottom which is consistent with zero resistance free fall.

WTC7: Indications of a Demolition Operation Failure

It would seem that under the scenario of a controlled demolition, WTC 7 was the only event that day that did not go according to plan. No plane hit this building at all nor were there any fires inside it strong enough to melt steel, yet it was packed with demolition explosives.

There seems to be indications that the events of 9/11 did not go to plan and those reasons have to do with the nature of the demolition and the plane crashes.

It is possible that when the planes hit the Twin Towers, the buildings were meant to come down either straight away or just after the crash. Structural damage in the first tower caused by the plane crash might have severed connections within the demolition circuit or to a wireless receiver. It could explain why the second tower to be hit came down first and why WTC 7 was pulled without any evidence of a plane crash. WTC 7 was likely to have been setup to fall once the North Tower had produced enough cover from dust debris, hiding any evidence of a demolition pull.

Therefore the second tower might have been pulled first as a distraction in order for ground crews to restore connection to the first tower and WTC 7. It seems that whoever was in charge of the whole event decided that WTC 7 was too risky to be left standing, and was detonated to remove any trace of explosive material.

It has been debated by many that WTC 7 was the outpost for the demolition crew. Personally think that WTC 7 was not used as an outpost for the demolition crew but were located somewhere nearby, high up and out of the reach of the blast zone.

Symbolism of 9/11: The Hand of the Architect and the Pentagon

The World Trade centre was designed by Minoru Yamasaki and opened on April 4, 1973.

There seems to be symbolism within the events of 9/11 that the building fell under the hands of an architect(s) or draftsman and that the date it was meant to happen was planned many years in advance, possibly with the intention to be destroyed. Wither Minoru Yamasaki had integrated this into the planning of the building is debatable.

As pointed out, there are many aspects of 9/11 that seem to link but too coincidental to be chance. The most notable is that of multiple references of the number 11 (intended to represent the Twin Towers) and 911, which is the phone number of the American emergency services. Just researching 9/11 and Occult numerology can bring up many results in a Google search.

But from what I can deduce, this event seems to be one that has aspects of a Occult ritual that primarily revolves around architecture or at least the death of architectural construct that once represented the unity of two entities.

If you have read my blog posts about the Occult, then you many have learned about Sigils or Hyper-Sigils associated with Chaos Majick. Now because Sigils are primarily a design form, architecture holds functional purpose especially when thoughts become things. Except the mechanics of physics have boundaries, therefore become rules. So where architecture comes against the laws of physics, there is no room for exploitation of rules. Simply put, in architecture, you cannot design anything and expect it to work in any fashion you want. This applies throughout in the Occult, and it is why Freemasonry hold Architecture and Geometry to be so sacred.


The term 9/11 holds the first key. I/K. The more you look at this, the more revealing it can be. For example. The pillars of the I and the K. The letter I can be made into K once two lines are drawn in towards the central line making an arrow. It can also represent a force. In this case I can be compared to a plane hitting a tower.

The slash dividing the I and K is the problem and solution. It represents a draftsman pencil and a falling building. As the pencil rests in ones hand in is supported by the fingers and the shaft rests along the muscle and joint of the first knuckle, angling as the pencil touches the paper. It is meant to symbolise supporting structures.

Try this for yourself. Put a pen or pencil in your hand and observe the shape in which your fingers and thumb rest around it as if you were about to draw something.

The shape your hand is making holds a sacred geometry secret which represents two polygons. The Pentagon and the Hexagon. When holding a pen/pencil, all joints that form around in the shape of a pentagon if we to hold the pencil so that the first and second joints of the index finger are straight.

If we were to start drawing, our index finger would work around in a way that the joints will go in-between a five and six polygon shape. This makes the “joint”.


Architect Pentagon

The Pentagon was the final building to be hit, one which holds the mystery. It symbolizes the destruction of the towers under the hand of the architect. As many videos of the Pentagon attack show, there is no observable evidence of a plane hitting the building. In fact many eye witnesses stated at the time that it sounded or looked like a missile. The missile is meant to represent the pencil of the draftsman whom plotted the destruction of the building. But it is also meant to represent a message for the future. The Microchip Implant.

9/11 Was Intended To Symbolise The New Era of Artificial Intelligence: The Pentagon, Three Square Market and Microchip implant.

For those whom don’t know much about Targeted Individuals, many have had microchips inserted illegally for the purpose of human experimentation. Some of these individuals have had microchips implanted much like the ones that Three Square Market have been reported to have been offering their own employees under voluntary option.

As see in the structural damage of the Pentagon, the missile which penetrated the South West wing of the building is intended to represents the penetration of the chip into the muscle between that of the index finger and the thumb.

There are many different chips used on different targets, some so advanced they won’t be seen for some years to come. Therefore, the chips being used by Three Square Market are relatively primitive in comparison.

MK Ultras have Microchips inserted in a different position. This is located between the index finger and the second finger. This represents the Compass, where the chip between the thumb and index finger represents the Square. This makes the Square and Compass of the Masonic emblem.

From what I can gather the Compass represents microchips used in illegal/secret testing where the Square is for role out social post-experimentation.



In this image of the Masonic emblem, the screw which binds the the Compass is the representative placement of the electronic microchip implant. It is also known as the “Screw” in relation to the term “Turn of the Screw”.

 As see in the structural damage of the Pentagon, the missile penetrated the South West wing of the building. This represents the penetration of the chip into the muscle between that of the index finger and the thumb.

If a person was to recieve a Microchip in both hands, then it would represent the Square and Compass. With a enough implants inserted, this would make up the human index, hence why they flank the index finger.

The Draftsmans Pencil.

A pencil can be cut in a few ways so that it can fit well into the hand. Considering the shape of our hands which can vary, some can be rounded, where some are cut in polygon shape. The Pentagon is also likely to represent the Architects hand and pencil, where the pencil has been worn down to the nub. Thus, this represents the workings of the pencil on the paper, worn to the nub and can be taken no further.The missile sent into the Pentagon is another metaphor/symbol of the draftsman.

If somewhat weird, the final plane crash United Airlines Flight 93 happened in “Pennsylvania”. In terms of linguistics, this needs no further explanation but it can be concluded that the play on words indicates that all aspects of the events reference architecture.

9/11: Draftsmans Pencils

This one I admit is a loose connection but worth consideration. In some Occult numerology, …. Numbers higher than 10 can be added together using each unit. This is normally done as a code to represent aspects of an event that is due to happen.

Therefore: 9/11 can be written as code:

9/1+1 makes 9/2

Because the 9 has not been altered, the two could be considered to be adjusted into a letter. That letter would be the second letter in the Alphabet “B”.


This can be referenced a 9B Draftsmans pencil. Draftsmans pencils range in a set from Hard (H) graphite to Soft (B). Most pencils used in schools and offices everywhere around the world tend to be HB pencils which are made with a balanced graphite of soft and hard.

In Art and Design, there is much Occult knowledge between the tools and symbols.

The 9B pencil features a soft graphite which on paper produces thinker darker lines that the polar opposite 9H pencil. The softness of this graphite when drawn on to paper is very easy to smudge, making B pencils useful for shading. This means that the hard pencils are used more for sharper, angular and lighter construct lines.

Therefore the quality of this 9B pencil is that of shade and blending or to hide cover.



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